Shinjuku North Side: Kabukicho; Golden Gai; Hanazono Shrine; Skyscraper District
Almost two decades ago, I landed in Japan on what was to be a three-year overseas adventure from my home in Canada. I’m still here, but that’s another story…. Those first days in-country, while my then-partner — I’ll call her Achan — attended orientation training at the Keio Park Plaza hotel before being posted to rural Hokkaido to help “internationalize” the countryside (but that’s still another story…) I spun out a jet-lagged fugue through the neon canyonlands and narrow sidestreets of Tokyo’s Shinjuku neighbourhood. You know: the setting for Sophia Coppola’s Lost in Translation. Bill Murray? That was me. Minus the hair. And Scarlett Johansson.
After three years Achan returned to her family in suburban Calgary. After another year, in central Hokkaido this time, I relocated to Tokyo for some big-city adventure.
Now, thirteen years later, I live in a comfortable if un-cinematic neighbourhood in west Tokyo. Every day, on the commute, I pass through labyrinthian Shinjuku Station.
“There are eight million stories in the naked city,” to paraphrase The Naked City. And more than three million of them pass through Shinjuku each day. The Guinness Book of World Records recognizes Shinjuku Station as the“world’s busiest station”. Channel5’s recent documentary “World’s Busiest: Station” gets it right: “a perfect storm of busy-ness.”
Tokyo has more than its share of popular nightlife areas. Shibuya draws the club kids. Roppongi caters to the international crowd. Kabukicho is the largest blue-light district in Asia, a disconcerting mix of hostess clubs, brothels, and straight-up bars and restaurants.
Still, in the twelve-plus years I’ve lived in Tokyo, it’s to Shinjuku’s Golden Gai I go to meet interesting locals and, increasingly often, tuned-in travellers.
Since the 60’s and 70’s, writers and filmmakers such as Yukio Mishima and Yasujiro Ozu have haunted these narrow alleys. In the 1980’s, Wim Wenders shot scenes for Tokyo Ga in La Jetee, a bar devoted to movies, and still a favourite of cinephiles.
In fact, most of Golden Gai’s bars have a theme. There’s karaoke, of course, most visible at Champions, a popular first — and last — stop for many visitors. They start to spill onto the flagstone path by nine, and some stay until the first trains pull out of the nearby stations around dawn. At other places jazz remains popular, while Hair of the Dog has an extensive collection of punk and ska from the 80s. Still others cater to patrons with a passion for photography, exploitation films, or plastic models. At Tachibana shinryoushitsu, “Tachibana’s diagnosis room,” a cosplay nurse serves drinks with names such as “enema” and “speculum” from beakers amidst a cabinet of curiosities of medical charts and anatomical models. Another, the two-storey Albatross, has kept the red plush walls and chandeliers of its former incarnation as a brothel.
Maybe the setting explains Golden Gai’s unique fuinke, “atmosphere.” To enter the Gai is a little like discovering a secret garden or falling down a rabbit hole. A treed path lined with Peter Pan-like statues of cherubs riding dolphins and snails leads off neon-lit Yasukuni-dori and the red lights of Kabukicho. This isn’t Kansas Shinjuku any more, Dorothy-san.
No neon or — at least until recently — touts accost the visitor. Japan’s bubble economy, which transformed the surrounding area into an international-style city of wide roads and highrises, skipped this warren of six narrow lanes. In fact, the locals fought to keep it that way. Back in the 80′s, when developers razed the student ghetto and working neighbourhood of nearby west Shinjuku, locals took turns guarding Golden Gai from developers.
Maybe that’s why Golden Gai has a reputation for being closed to outsiders.
Times are a’changin’, however. Now visiting pop culture luminaries such asTim Burton and Quentin Tarantino have been spotted in the area. Whither go our pop stars, so follow we: Golden Gai has earned entries in recent editions of Fodors, Lonely Planet, and a plethora of websites. Heck, even CNN ran a service piece on “the five best bars in Golden Gai.”
“Down the rabbit hole,” maybe, but not exactly off the beaten path any more…
Truth is, the scene in Golden Gai has changed a lot in the last couple of years. More visitors have discovered the place and some, at least, of the establishments in the area are courting new clientele. Tokyobling, a popular blogger, recently called it “One of the most poorly kept secrets of Tokyo”, which sounds about right. This hasn’t “ruined” the place in my opinion, though twenty-year regulars may disagree.
What this means is that you should feel totally comfortable and confident visiting Golden Gai. While there are still many establishments that still cater to regulars, others are happy to host the international crowd.
Golden Gai may now be on the itinerary of every hipster visiting Tokyo, but it still offers a unique Japan experience. Perhaps not for much longer, though: a recent story on japantoday.com suggests that redevelopment plans for the area might once again be in the works… maybe in time for the 2020 Olympics.
Tokyo may be generally mild, dry, and sunny in winter, but it comes at a cost to its neighbours: much of the snow that crosses from continental Asia bumps up against the mountains of central Honshu and dump their burden on the Sea of Japan side of the island. Niigata, where R. is from, lies within this yuki guni,”snow country.” In fact, the novel Snow Country by KAWABATA Yasunari is set in the mountain resort area of Yuzawa. Each New Year, R. and I pass through on our way by Shinkansen to coastal Niigata. The change from the balmy Kanto plain to yukiguni is always dramatic as the shinkansen exits a tunnel from Kanto and enters mountainous Gunma prefecture. The photos taken from the train are of Gunma and Niigata, both coming from and returning to Tokyo.
This year, 2014, Niigata has had a particularly hard spell of snowfall. In fact, the day after we arrived blizzard conditions kept us holed up for most of the day at the home of R.’s parents. We did manage a walk later in the day, however, and these are the town and castle pictures in this set.
At least twice a year for the last eleven years, usually in December and May, R. and I make a pilgrimage to Mount Mitakesan in the Okutama mountains west of Tokyo. It’s our power spot, one of them, and it’s where we chose to exchange vows when we got married almost five years ago.
I’ve taken many, many pictures from Mitakesan and surrounding mountains in those 11 years, and a gallery is on the way… On our most recent trip, we were struck by the unkai sea of clouds on the first night – and the summit-top sunrise on the second.
My first winter break in Japan seventeen(!) years ago, while all my friends went off to Thailand, I spent a couple of weeks sleeping wild on Okinawa and Iriomote jima in the off season. Trip of a lifetime! One of I’ve written about elsewhere, and may soon also tell here on Big Sushi…
Meantime, in the spring of 2013, I finally made it back to the Yaeyama islands, this time to Ishigaki jima – with a day trip to Taketomi jima. While it was spring this time and not winter, we still hit it in the off season – which is how I like it anyway. Fewer crowds. More unstable = more interesting weather.
I shot most of these pictures with the Olympus E-P1 and – for reasons that escape me now, since I already owned a couple of fine prime lenses – the 14 – 42 kit zoom lens.
Pictures of Countryside around Biei and Furano, Hokkaido Japan, Summer 2012
… and here it is, the last of three galleries of photos from a trip R. and I took to Hokkaido, including my old JET Programme host town of Biei, in the summer of 2012.
BTW, I’m at work on a personal essay about my time in Hokkaido when I first moved to Japan 16+ (!) years ago for the Transitions Abroad narrative travel writing contest. Look for the story, working title Extreme Japan: slow travel epiphanies from the far ends of Japan, in the TA winners’ circle. Or in the highly unlikely event that I don’t win, here on the pages of Big Sushi, Little Fishes…
Photography Notes: As mentioned previously, I usually set my cameras to shoot RAW + JEPG. It’s easy to messy up settings in the menu of an Olympus PEN camera, however, especially early models, and at some point early on I ended up getting only JPEGS shot through the Grainy Film Art Filter on these shoots (the colour shots were taken with a Canon G9). All the B&W shots in this gallery were taken with the m/Zuiko 45mm 1.8 prime lens.
Although I developed, so to speak, a passion for photography during the four years I lived on Japan’s rural, northernmost island of Hokkaido — island light! — I don’t have digital copies of those first pictures.
These pictures are from a summer trip R. and I took to the Biei area of central Hokkaido in 2012. Although I didn’t really appreciate it then — I was alone, my girlfriend being in Tokyo — the Biei area is very photogenic. Cigarette commercials and TV dramas like to use the patchwork fields and dramatic treelines as their settings.
By the way, the volcano pictures are from an aborted climb up Asahidake, in Daisetsuzan National Park.