In the spirit of ukiyo-e woodblock prints and sumi-e monochrome ink painting, some judicious processing in Olympus Workspace, DxO PhotoLab, and Adobe Lightroom has been applied to emphasize the feel of this dramatic landscape.
Photos from Mount Mitsutogesan in Yamanashi prefecture, on the far western outskirts of the Greater Tokyo Area.
Pictures taken with an Olympus em-1 and M.Zuiko 12–40mm 2.8 or 75mm 1.8; or on the iPhone X.
In the spirit of ukiyo-e woodblock prints and sumi-e monochrome ink painting, some judicious processing in Olympus Workspace, DxO PhotoLab, and Adobe Lightroom has been applied to emphasize the feel of this dramatic landscape.
On otherwise dull, uninspired overcast days, the hills and trees, waves and clouds reveal their secret lives through the magic of some judicious post-processing…
Mount Iozan (硫黄山): ”Sulphur Mountain”; Ainu name Atosanupuri: “Naked Mountain”
Even now, after more than a decade of visiting and photographing around Mount Mitakesan in western Tokyo, R. and I still find new pictures to take. Sometimes it’s something new or that we didn’t notice before, such as the goblins “hidden” in the renovated stairs which lead to the summit-top shrine, or a new lookout spot to the green serrated ridges of the surrounding mountains on the trail from Hinodesan to Tsurutsuru onsen; other times it’s a new way of seeing an old subject, such as the backlighting on the tengu tree this trip.
Mitakesan continues to be enjoying its moment, as there were far more visitors than we’re used to, and far more tourists at the shrine and on the trails. On the plus side, work crews have done some serious maintenance leading from Hinodesan down to the Tsurutsuru onsen; this section of the trail used to have steep, knee-aching stairs but have been replaced by far gentler, knee-saving steps.
Another great day at Mitakesan. Despite the growing crowds, I expect we’ll continue to return to one of our favourite power spots in Japan…
If you like these pics, check out my continually updated Mitakesan gallery at 500px…
花鳥風月, Kachou Fuugetsu: “experience the beauty of nature, learn about yourself.”
A tangle of scrub pine, roots bone-white in the gunmetal blue of a Hokkaido dusk. Around us low, forested mountains rolled out to sea. In one direction, the Russian Far East; in another, Tokyo and main-island Japan. Only 1500 meters (4500 feet) above sea level, but the harsh climate of Hokkaido — Japan’s northernmost, frontier island — put us already well above treeline. Below, I knew, higuma brown bears, cousin to the grizzly back home in Canada, foraged among the bamboo grass for bedtime snacks. We stood in the triangular shadow of the summit as night crept up-slope, looked over a lightless wilderness, and marvelled at the irony of two city kids from Canada travelling halfway around the world, to one of the most urban and densely populated parts of Asia, to wind up alone on a mountaintop in bear country.
Grizzlies weren’t high on the list of things my admittedly eclectic research on Japan had prepared me for: a sporadic diet of Lone Wolf and Cub, Black Rain, Kurosawa movies, Akira, and Godzilla, had prepared me more for the 85 million-person conurbation on main-island Honshu, the Tokyo-Osaka megalopolis. Nature, for all I knew, was limited to the disciplined gardens of bonsai trees and ikebana flower arrangements, rather than big-N Nature red in tooth and claw.
But in fact, as I was quickly learning, this high tech, near-future, post-industrial nation still has plenty of countryside and even wilderness. In fact, in many parts of the archipelago it seems more like the people are squeezed into what arable land exists, mainly on the coasts, while large parts of the island interiors remain uninhabitable, and thus undeveloped.
Of course, Hokkaido is not main-island Honshu. In fact, that’s kind of the point:
Japan is a surprisingly big and diverse place. 6,000 islands hang pendulously from wintry Russian Far East, all the way to distant Taiwan in the semi-tropical south. Honshu, Kyushu, and Shikoku and to an extent Hokkaido and Okinawa make up the bulk of what most visitors think of as “Japan,” but there are literally thousands of smaller islands which unfurl into the East China Sea.
Some islands are heavily developed, such as main-island Honshu with the Tokyo-Osaka conurbation (though, as you will learn, there’s still a lot of wildness left even on Honshu); others still have untouched forests of antediluvian fern and palm — such as on Iriomote — and millennia-old cedar — on Yakushima — at their mountainous hearts.
Shinto dōsojin 道陸神 stone marker and shide 紙垂paper streamers.
Apparently, in Japan’s Shinto and Buddhist traditions, such stone markers — among other purposes — protect liminal areas such as crossroads, graveyards, and execution grounds. Yamabushi Buddhist monks sometimes meditate in waterfalls.